Directed by K V Anand, starring Suriya, Prabhu, Tamannaah and Akashdeep Saighal in the lead roles.
Cast: Suriya Sivakumar, Tamannaah Bhatia
Crew: KV Anand (Director), MS Prabhu (Director of Photography), Harris Jayaraj (Music Director)
Rating: U/A (India)
Genres: Action, Crime, Drama, Thriller
Release Dates: 03 Apr 2009 (India)
Tagline: Stunningly unique...
Tamil Name: அயன்
Did you know? Before the shooting had started, stunt choreographer Franz Spilhaus shot all the fight scenes with his stunt team, edited the version himself and showed it for approval from the filmmakers. Read More
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as Devaraj Velusamy
as Yamuna
as Special Appearance
as Kamalesh
as Courier Service official
as Chitti Babu
as Kamalesh's Gangmember
as Dilli
as Parthiban
as Dass
as Kaveri Velusamy
as Film Producer
Direction
Director
Production
Producer
Production Company
Associate Producer
Production Manager
Distribution
Distributor
Music
Music Director
Music Label
Art
Art Director
Costume and Wardrobe
Costume Designer
Stunts
Stunt Director
Film Type:
Feature
Language:
Tamil
Colour Info:
Color
Frame Rate:
24 fps
Aspect Ratio:
2.35:1, 2.39:1 (Scope)
Stereoscopy:
No
Music Label: AVM Audio
05:25
05:32
05:33
Music Director: Harris Jayaraj
Lyricist: Pa Vijay
05:44
05:19
02:37
Taglines:
Stunningly unique...
Movie Connection(s):
Dubbed into: Veedokkade (Telugu)
Dubbed into: Vidhwanshak: The Destroyer (Hindi)
Referenced in: Maria Full of Grace (English)
Spoofs: Thillalangadi (Tamil)
Dubbed into: Vidhwanshak: The Destroyer (Hindi)
Referenced in: Maria Full of Grace (English)
Spoofs: Thillalangadi (Tamil)
Filming Locations:
Trivia:
This script was specially written for Suriya.
Before the shooting had started, stunt choreographer Franz Spilhaus shot all the fight scenes with his stunt team, edited the version himself and showed it for approval from the filmmakers.
A restaurant was used as the stunt rehearsal space in South Africa.
The locals were amazed by the filming of the stunt sequence and believed it to be a real fight, letting the filmmakers film the sequences in single long takes.
Suriya insisted that he'd perform the car flip sequence himself designed by Ong who came from Jackie Chan's stunt group.
Three different stunt coordinators worked on the film with the opening Congo stunts choreographed by South African stunt choreographer Franz Spilhaus, the Malaysian car chase stunts designed by Honk Kong based stunt choreographer William Ong, and the final climax fight sequences were done by Indian choreographer Kanal Kannan.
Suriya finding it difficult to walk in heels wearing a woman's disguise, was received with cheers and whistles by the crew members, leading to a slight delay in shoot before they all could be quietened down.
Before the shooting had started, stunt choreographer Franz Spilhaus shot all the fight scenes with his stunt team, edited the version himself and showed it for approval from the filmmakers.
A restaurant was used as the stunt rehearsal space in South Africa.
The locals were amazed by the filming of the stunt sequence and believed it to be a real fight, letting the filmmakers film the sequences in single long takes.
Suriya insisted that he'd perform the car flip sequence himself designed by Ong who came from Jackie Chan's stunt group.
Three different stunt coordinators worked on the film with the opening Congo stunts choreographed by South African stunt choreographer Franz Spilhaus, the Malaysian car chase stunts designed by Honk Kong based stunt choreographer William Ong, and the final climax fight sequences were done by Indian choreographer Kanal Kannan.
Suriya finding it difficult to walk in heels wearing a woman's disguise, was received with cheers and whistles by the crew members, leading to a slight delay in shoot before they all could be quietened down.
