Trinetra (1991)

 ●  Hindi ● 2 hrs 35 mins

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Raja is an aspiring singer and gets a chance to sing in Dubai through Mr. Singhania. He informs his pregnant wife, Seema, and they look forward to a more prosperous life. Before that could happen, Raja finds out that Singhania is going to use him to carry drugs in his suitcase, he objects to this, and is brutally killed in the presence of his wife. His wife flees the assailants, and gives birth to a baby boy near the temple of Bhagwan Shri Shankar and names the boy Shiva. Unmarried and childless Maria Fernandes sees the child and an apparently dead Seema, and takes the child. But Seems is still alive, and is angered at being separated from her son. She swears to avenge Raja's death, and sets about to kill the assailants one by one. She manages to kill one of them, but before she could proceed on with her gruesome task, she is arrested by the police and sentenced to jail for several years. How will Seema avenge the death of Raja? Will she escape from prison, or wait till she is withered and old after the end of her sentence?
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Did you know? The film marks Harry Baweja's directorial debut. Read More
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as Singhania
as Seema
as Raja
as Gulshan-Guitarist - Singhania's Assistant
Actor
as Tony Fernandes / Shiva
as Maria Fernandes
as Father Patrick
Supporting Actor
as Bhavishyavani
Supporting Actor
as Singhania's Assistant
Supporting Actor
as Mona's Girlfriend
as Singhania's Assistant
Supporting Actor
as Shyam
as Ajit / Akbar / Anthony / Amar
Supporting Actor
as Frank - Singhania's Assistant
as Singhania's Assistant
as Beggar with Bell
as Ghanshyam
as Roshanlal

Direction

Director

Writers

Screenplay Writer
Story Writer

Camera and Electrical

Director of Photography

Choreography

Choreographer
Film Type:
Feature
Language:
Hindi
Colour Info:
Color
Sound Mix:
Stereo
Frame Rate:
24 fps
Aspect Ratio:
2.35:1
Stereoscopy:
No
Trivia:
Deepa Sahi, who is 12 years younger to Mithun Chakraborthy, plays his mother in the film.

Laxmikant Berde plays four different characters in the film.

The film marks Harry Baweja's directorial debut.